By Charles Brewer
March/April 2019 Issue
“it would be hard to find any Biber (or pseudo-Biber) that has been better performed.”
“Adrianne Post finds a way to let the variety of her violin part carry over the 124 unchanged repetitions of the ostinato bass in this complete performance. I admire her courage and sensitivity—that she could turn what might have been 17 minutes of technical bowing exercises into engaging music.”