The Boston Musical Intelligencer

By CJ Ru

Posted: June 14, 2019

“… the music propelled forth with all the unadulterated joy and funk of a dust cloud erupting through a shaft of sunlight as squealing children leap into piles of freshly threshed hay.”

“… the players revivify with throbbing, red-blooded immediacy, a spirit of spontaneous adventure, as if inventing anew on the spot. This sparkles through its recordings and utterly captivates in live performance.”

“Biber’s Battalia crowned the jewel-studded hour with its mad mélange of rousing percussive thrust, melting fever-dream chromaticism, pensive, prayerful devotion, and a tender, soft-smiling, westering-sun wistfulness. At one point, Doug Balliett inserted a sheet of paper between the strings of his double bass so each bow strike evoked the weary rasp of a battle-slackened drum. Pizzicati snapped across the ensemble with Bartókian bursts of pizzazz. With all the curious toys and tools of its cabinet in full display, ACRONYM’s artistry in this perfect showcase closer drew rapturous applause and cheers.”

Read the full review online HERE

American Record Guide

By Charles Brewer

March/April 2019 Issue

“it would be hard to find any Biber (or pseudo-Biber) that has been better performed.”

“Adrianne Post finds a way to let the variety of her violin part carry over the 124 unchanged repetitions of the ostinato bass in this complete performance. I admire her courage and sensitivity—that she could turn what might have been 17 minutes of technical bowing exercises into engaging music.”

Early Music Review

By D. James Ross

Posted: January 1, 2018

REVIEW: Wunderkammer

“Beautifully and expressively played by the small period string ensemble…”

“This very informative trawl through 17th-century German repertoire helps to put composers such as the Austrian Heinrich Biber in a more comprehensible context, but most of this music is also extremely enjoyable in its own right, and ACRONYM are to be congratulated for their intrepid trawl through voluminous archives to find it, and to perform it so convincingly.”

Read the full review online HERE

The New York Times

By James R Oestreich

Posted: May 26 2017

“Ending a program of 17th-century works, “From Venice to Vienna,” played with consummate style, grace and unity of spirit, the four violinists took solo turns in Johann Christoph Pezel’s Ciacona in B flat. All were excellent; Adriane Post’s were exquisite.”

Read the full review online HERE

Colorado Public Radio

By Jeff Zumfelde

Posted: March 1, 2017

REVIEW: Johann Rosenmüller in Exile

“The period music ensemble ACRONYM acts more like a contemporary music group. They call themselves a band, and that feels like a true description and not an affectation. While dedicated to period practice, their playing is not fussy, mannered or artificial.”

“It’s loaded with harmonic surprises and memorable melodies. I enthusiastically recommend all of ACRONYM’s previous releases.”

Read the full review online HERE

Philadelphia Inquirer

By David Patrick Stearns

REVIEW: Rosenmüller in Exile

Posted: January 27, 2017

“The music is excellent, reflecting some operatic influences of the early baroque period.  Surfaces are poised and glossy, but one need not listen far to hear all kinds of under-the-surface restlessness and anguish.  Curiously, the pieces end almost casually, with a "to-be-continued" quality.  Performances are intelligent and animated.  Sound production is first-class.”

Read the full review online HERE

New York Classical Review

By George Grella

Posted: January 16, 2017

"The playing Sunday stood out for its gusto and vitality. There was an utter lack of mannerism or curatorial preciousness. This was music played as part of a living tradition, with a sense of normalcy that is the foundation of authenticity.”

“The music is gorgeous and emotionally haunting, and ACRONYM performed it with moving grace."

Read the full review online HERE

The Strad

By Tim Homfray

Posted: December 2016

REVIEW: Oddities and Trifles: The Very Peculiar Music of Giovanni Valentini. Sonata and canzonas for strings

“Violinist Beth Wenstrom plays it with vitality and eloquent phrasing, as well as agility: the writing is constantly inventive, sometimes technically demanding and strikingly chromatic. There is some rather wonderful music on this CD, played with textural clarity and warmth, aided by a fine recording.”

Read the full review online HERE

Gramophone

By Laurence Vittes

June 2015

REVIEW: Oddities & Trifles: The Very Peculiar Instrumental Music of Giovanni Valentini

“Played with expertise, enthusiasm, and an almost tactile sense of timbre…”

“The sound, recorded at an 18th-century meeting house in rural New Hampshire, is intimate and quiet, and yet occasionally almost startling in its clarity and realism.”

Read the full review online HERE